The hotness and notness of the mystery genre
Every year at around this time Library Journal does its version of the “State of the Genre” cover story, and the newest edition, penned by LJ Fiction book review editor Wilda Williams, fulfills that aim on many fronts. It touches on many of my own personal bailiwicks, including the growing number of translated crime novels, how paranormal-tinged mysteries are oh-so-hot at the moment, and the increased appetite for noir (though Hard Case Crime editor Charles Ardai acknowledges that the pendulum will likely swing towards the traditional at some point, because it was only 20 years ago that noir and hardboiled books couldn’t sell.) There are also brief Q&As with Martyn Waites, Casey Daniels and Louise Penny, and a brief mention of this here blog.
Especially interesting was the brief discussion of the difficulties of translating books properly, to get the original author’s voice down as best they could:
Finding translators can be a stumbling block for American
publishers. Acknowledging her lack of foreign-language skills, Hruska
recalls receiving a proposal about an Icelandic detective. “I was
stumped. I don’t know anyone who reads Icelandic.”
On the other hand, Kodansha America, the U.S. branch of the Japanese
publisher, prides itself on the quality of its translations. “We choose
our translators very carefully,” says marketing and sales director
Laura Shatzkin. In February 2007, Kodansha will launch Asa Nonami’s The Hunter, whose protagonist is a former motorbike patrolwoman–turned–detective. Like other successful Kodansha titles (Natsuo Kirino’s Out, the first Japanese novel to be nominated for an Edgar Award, and Miyuki Miyabi’s Shadow Family), this is a dark, violent crime novel penned by a popular female author.
Why are Japanese women writing noir fiction, the preserve of mainly
male writers? “There is a revolution going on in Japan, and these books
represent that,” says Shatzkin. “These authors write about angry female
characters who act in ways that go against the Madame Butterfly
stereotype of the submissive Japanese woman.”
Bingo. Maybe that’s why I love to read these books so damn much.